‘The Night Before’ Review | It’s a Wonderful Spliff

Films about man-children in their 30’s, finally coming to terms with coming of age. There’s not a damned thing wrong with them, at least in theory. After all, we live in a world driven by youth and nostalgia, so adults seem to take longer than ever to accept the fact that they’re not teenagers anymore. 

But one does wonder how often Seth Rogen, specifically, needs to learn a valuable lesson about growing up before it finally sinks in. For that matter, what about his audiences, who shell out their hard-earned money over and over to be told, essentially, that the time has come to move on from Seth Rogen comedies? When will they finally take the hint and invest in films that don’t involve smoking weed and beating people up and panicking over the on-set of real responsibility?

If The Night Before is any indication, it won’t be anytime soon. Jonathan Levine’s new comedy is an often hilarious, almost always funny R-rated comedy for the holidays, in which old friends do drugs and wander the streets of New York City as one last hurrah before they settle into more serious pursuits, like marriage, career and getting over an ex-girlfriend. It’s proof that there’s still life in the genre, not so much because The Night Before offers anything particularly new (since the bromance Christmas shenanigans were already done well, and even wackier, in A Very Harold & Kumar 3D Christmas) but because it’s still fodder for genuinely funny comedy.

Columbia Pictures

Mostly, anyway. Few films fire off jokes as fast and furious as The Night Before without occasionally stumbling. But the gags that fall flat disappear from memory quickly, replaced instead by what works: a woman who actively worships at the feet of famous Christmas villains like Die Hard’s Hans Gruber, Seth Rogen’s nearly non-stop drug addled freak out, and Michael Shannon as the pot dealer “Mr. Green,” whose magic weed serves as the film’s Ghosts of Christmas Past (flashbacks), Present (hyper awareness) and future (paranoid delusions).

Keeping it all fairly grounded is Joseph Gordon-Levitt, Anthony Mackie and Rogen, who play best buds who are drifting apart because that’s just what best buds do. By the film’s conclusion they realize one of life’s lamest lessons: that having friends gets a lot harder as you grow up, even though friendship is always a necessity. These people have a genuine affection for each other in The Night Before, and it would take one hell of a Grinch to wish them ill-will.

The Night Before builds, rather impressively, to the Christmas party to end all Christmas parties, in which every scene that came before seems to pay off in one way or another. It’s almost enough to make one wonder whether Levine’s comedy will be worthy of a yearly rotation in December, if only for twenty- and thirty-somethings who haven’t yet mellowed into the smoother, more wholesome charms of It’s a Wonderful Life. For them, It’s a Wonderful Spliff will certainly do… at least until they finally pick up on The Night Before’s message, and actually move on with their lives.

Top Photo: Columbia Pictures

William Bibbiani (everyone calls him ‘Bibbs’) is Crave’s film content editor and critic. You can hear him every week on The B-Movies Podcast and watch him on the weekly YouTube series Most Craved and What the Flick. Follow his rantings on Twitter at @WilliamBibbiani.

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