Hardcore horror movies fans and the mainstream Hollywood studios don’t always see eye-to-eye. The people who love horror movies, and we mean REALLY love them, want to be challenged, shocked and disturbed. But Hollywood seems to keep churning out films like Ouija, which squeak by the Motion Picture Association of America (MPAA) with a family friendly PG-13 rating. And everyone knows that PG-13 horror movies suck, right? Right?
Well, wrong. Many PG-13 horror movies suck, but so do most movies in any genre. By now there are more than enough solidly scary horror movies with a PG-13 rating that we think we can disprove that notion altogether, at least as an altruism. You can hold onto your opinions all you want – that’s your right – but when there are this many exceptions to a so-called “rule,” it may be time to finally admit that it’s not much of a rule anymore.
What’s Wrong with PG-13 Anyway?
Depending on who you talk to, and which movie you’re talking about, an MPAA rating can either be a blessing or a curse. Hardcore horror fans tend to like their movies uncensored, R-rated (or higher), and shocking. Studios often prefer to release horror movies with a PG-13 rating, because teenagers are usually in the target demographic and it’s easier for them to see the films if they don’t have to drag their more discerning parents along for the ride.
But although the MPAA is famously flawed (some might even say outright corrupt), in principle their ratings aren’t supposed to be a judgment. They’re supposed to simply watch a movie and come to a conclusion about how most parents would feel about their children watching it unsupervised. So if they see a horror movie and decide that a 13-year-old could watch it without their parents getting angry about the material they were just exposed to, that’s not necessarily the Mark of Cain.
Then again, the very fact that a horror film can be safely viewed by 13-year-olds is, to some horror fans, is a sign of very low quality. Just how scary can it be if children can leave the theater without permanent scars?
But an MPAA rating, like any other label, should never been taken at face value. There are lots of PG-13 horror movies that are genuinely scary or horrifying (we’ll explain the difference in a moment), and there are lots of R-rated horror movies that aren’t frightening in any way. It’s easy to judge a book by its cover. But reading it is the only way to know for sure if it has any value.
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The Difference Between ‘Scary’ and ‘Horrifying’
Not all scares are created equal. There are different kinds of fright, just like there a different kinds of love and different kinds of anger. The way you’re scared when a cat jumps out of the shadows is nothing at all like the terror that comes from being pursued by a madman with an axe.
So it makes sense that different horror movies will attempt to elicit different responses. Some horror movies are content to startle you – an effect that usually dissipates by the time you leave the theater – and some want to get under your skin and linger, preventing you from getting a good night’s sleep for days.
Depending on what the filmmakers are going for, it may not be necessary to embrace enough violence and sensuality to shatter your nerves. Many PG-13 movies are going for the “fun” kind of terror, which briefly scares you before you go away reassured, while others shoot for genuine, long-lasting horror. Our list reflects the existence and validity of “scary” movies and “horrifying” movies alike, although PG-13 horror movies that achieve actual horror are given even more credit.
The Examples
What follows is our list of twenty films in the horror genre that we here at CraveOnline think are pretty damned good. And when you call a horror movie “good,” you usually mean that it’s scary.
But what’s scary to someone might not be all that scary to someone else, and sometimes just dallying in horror iconography isn’t all that frightening even if it results in a great movie. So we’re not ranking these PG-13 horror movies from “best” to “worst,” we’re just going to list them in order of how scary we think they are, and give you their percentage of horror (as opposed to PG-13ness) in order to clarify what we mean. The first few films will only terrify you if you have a very fragile constitution. By the end, we think you’ll appreciate just how frightening PG-13 movies can get.
If you think we missed a PG-13 horror movie classic, let us know in the comments. If current trends in the film industry continue, we’ll probably come back to this subject sooner than later.
Slideshow: Twenty PG-13 Horror Movies That Might Actually Scare You
William Bibbiani is the editor of CraveOnline’s Film Channel and the host of The B-Movies Podcast and The Blue Movies Podcast. Follow him on Twitter at @WilliamBibbiani.
Twenty PG-13 Horror Movies That Might Scare You
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Little Shop of Horrors (1986)
First it was a low budget Roger Corman movie, then it was a stage musical, and then it was a big budget Frank Oz movie. The story of a shy florist who has to feed his beloved pants blood gets pretty violent, but the enormously happy, catchy songs prevent Little Shop of Horrors from ever being truly scary.
TERROR RATING: 10%
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The Monster Squad (1987)
Originally dismissed as a Goonies knockoff with Dracula, The Wolfman, Frankenstein, The Mummy and Creature from the Black Lagoon as the bad guys, Fred Dekker's The Monster Squad went on to become a cult classic. Creepy monster effects, genuine danger for the pre-pubescent heroes and Dracula with dynamite make The Monster Squad fun, but probably only scary to smaller kids.
TERROR RATING: 15%
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Gremlins 2: The New Batch (1990)
Joe Dante's follow-up to the 1984 Christmas horror-comedy classic Gremlins (which was rated PG, if you'll recall) played up the jokes and played down the scares. But there are moments of genuine monstrousness, particularly when the Spider Gremlin rears its ugly head.
TERROR RATING: 20%
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Tremors (1990)
Ron Underwood's cult classic monster movie Tremors featured a novel concept - giant killer worms that burrow under the ground and "see" via vibrations - and a cast of lovable characters played by Kevin Bacon, Fred Ward, Michael Gross and Reba McEntire. Which just makes it all the more suspenseful when their lives are threatened. The tone is light, but the danger is very, very real in Tremors.
TERROR RATING: 25%
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Trollhunter (2010)
So get this: trolls are real, and they're being kept a secret by the Norwegian government. That's where a young film crew comes in and starts documenting the life of a professional troll hunter working for the government. Andre Overdal's Trollhunter is a total blast, but usually feels more like an ambitious fantasy adventure than a straight-up horror movie. Except when the crew is trapped in a cave with man-eating monsters, or trying to escape a troll the size of a skyscraper.
TERROR RATING: 30%
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World War Z (2013)
Marc Forster's big budget zombie epic World War Z gets an "A" for effort: it expands the scope of the zombie apocalypse to a globetrotting action saga with one original set piece after the next. The tone is a little too "Hollywood" to truly terrify, but it takes the material seriously, highlights like the torturous climactic stealth scene and the initial, chaotic outbreak make it plenty suspenseful.
TERROR RATING: 35%
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Killer Klowns from Outer Space (1988)
They're killer clowns. They're from outer space. It should be pretty stupid, and it totally is, but the amazing practical effects by the Chiodo Brothers and the twisted, black humor of Killer Klowns from Outer Space make it a nightmare for anyone already suffering from coulrophobia. Everyone else will just laugh. It mostly averages out.
TERROR RATING: 40%
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Arachnophobia (1990)
Arachnophobia is more common than the fear of clowns, so this remarkably well written horror comedy from director Frank Marshall has a much better chance of freaking you out. A strain of extremely poisonous spiders is unleashed in small town America and begin biting their way through a cast of memorable characters, culminating in a duel with an arachnophobe played by Jeff Daniels, and a cocky exterminator played by John Goodman.
TERROR RATING: 45%
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The Hole (2009)
Joe Dante returned to PG-13 horror in 2009 with this little-seen, but very well-made teen horror film about kids who find a bottomless pit in the basement of their house. When their worst fears crawl out, they have to face frightening - and surprisingly mature - aspects of their subconscious. The Hole fits very neatly in the middle spectrum of PG-13 horror; it's freaky but also entirely meant to be enjoyed by children, so it never goes full nightmare.
TERROR RATING: 50%
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The Skeleton Key (2005)
Kate Hudson stars in this atmospheric Southern Gothic potboiler about a young nurse caught up in an ages-old mystery at a spooky-wooky plantation. Iain Softley directs The Skeleton Key with shadows and foreshadowing, providing a nice sense of dread to another otherwise pulpy supernatural whodunnit.
TERROR RATING: 55%
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The Sixth Sense (1999)
It's popular to hate on M. Night Shyamalan nowadays, but back in 1999 he crafted one of the best supernatural thrillers ever made. The Sixth Sense stars Haley Joel Osment as a little boy who can see ghosts, and lives in constant terror. Bruce Willis plays the psychologist trying to save his sanity. Shyamalan plays The Sixth Sense mostly as a straight drama, but he knows how to scare you, and Osment's perpetually nervous performance can still get under your skin.
TERROR RATING: 60%
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1408 (2007)
In the historic Dolphin Hotel, nobody stays in room 1408, because it's haunted as hell. Travel writer John Cusack takes that as a challenge, and spends one night in the scariest room in the world. 1408, based on a short story by Stephen King, is mostly a cinematic experiment: how scary can a guy stuck in one room really be? The answer is pretty darn scary, but the gimmick does wear a little thin eventually.
TERROR RATING: 65%
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Insidious (2010)
James Wan's supernatural thriller Insidious is scary. You can tell because the movie yells it at you. The loudest sting music you've ever heard punctuates this eerily shot story about a family fighting off demons who want to possess their comatose son. It's genuinely creepy, but the overwhelming sense that it's trying too hard takes the edge off of a lot of the scares.
TERROR RATING: 70%
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Insidious: Chapter 2 (2013)
The follow-up to Insidious was actually an improvement, telling a more relatable story - about a father possessed by a demon, ready to kill his family at any moment - with more skill and imagination. The stakes are higher and Wan's craft as a filmmaker exploded between films. It's still a little blunt, but it strikes hard nevertheless.
TERROR RATING: 75%
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Drag Me To Hell (2009)
Sam Raimi's first film after completing his Spider-Man trilogy was a throwback to the horror genre that made him famous in the first place. And even though it's PG-13, his whirling dervish camera work and playful sadism towards his characters make it really, really scary. Drag Me To Hell stars Alison Lohman as a young woman cursed to get, well, dragged into Hell, and as the tension mounts, she decides she'll do anything - ANYTHING - to save her soul.
TERROR RATING: 80%
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The Others (2001)
Alejandro Amenabar's classy old school haunted house flick stars Nicole Kidman as the mother of two children who are allergic to sunlight. So the shadows practically drip off the screen in The Others, and a pervasive melancholy gives even the quietest moments a real chill. There's something genuinely scary going on in this house, and wait till you find out what it is...
TERROR RATING: 85%
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Fire in the Sky (1993)
Robert Lieberman's Fire in the Sky came out at exactly the right time, when paranoia over alien abductions was just hitting the urban legend zeitgeist. The story of a man abducted by aliens, and the friends left behind who are accused of murdering him, plays like a straight drama, and for a while that's what makes it scary. This is how the world would treat you if all the stories about aliens were true. But then they finally cut to what happened to that friend aboard the spaceship, and it is shocking, terrifying, grotesque and unforgettable.
TERROR RATING: 90%
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The Last Exorcism (2010)
One of the (few) great found footage shockers, The Last Exorcism tells the story of a fraudulent priest on a mission to disprove his faith on camera. Sure enough, it turns out that this one demonic possession might be real. Daniel Stamm's movie plays its cards at just the right time, building uncomfortable momentum until the young star Ashley Bell begins contorting the hell out of herself in ways that'd give anyone the heebie jeebies. It's one of the better modern horror movies.
TERROR RATING: 90%
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The Gate (1987)
Unlike The Monster Squad, this 1980s horror movie for pre-teens is absolutely freakish. A young Stephen Dorff finds a gateway to Hell in his backyard, unleashing monsters, deformations and horrifying sights that, really, should have earned The Gate an R-rating for sheer scariness alone. The Gate is not a reassuring movie for kids. It's designed to traumatize them. And it does its job.
TERROR RATING: 90%
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The Ring (2002)
Based on the (arguably even better) Japanese supernatural thriller Ringu, Gore Verbinski's The Ring is one of the most creepily shot movies around, lending its bizarre concept serious weight. Bodies start turning up, and the only tie between them is that they all watched the same spooky video. Naomi Watts plays an intrepid reporter who watches it too, and then has to solve an old murder mystery while her reality crumbles around her, and death begins to call. The Ring is one of the great horror remakes, restaging a very Japanese story in an American setting very successfully, and capturing some of the scariest scenes in recent memory in the process. And it did it all with a PG-13 rating. Good show.
TERROR RATING: 95%