Every once in a while a film comes along that’s so damned scary you can barely believe it. Get Out is one of those movies. It’s not just a frightening concept, and it’s not just terrifically suspenseful. It turns society on its ear in a way that only the best movies can, and in a way that folks who are familiar with writer/director Jordan Peele’s comedy should probably have anticipated.
The comedy and horror genres might seem diametrically opposed at a glance but even though one exists to make you laugh and the other exists to make you squirm, they are functionally very similar. Comedians and horror storytellers both take their inspiration from unexpected and, frequently, uncomfortable observations about the world around them. They then tweak their observations and present them in such a way that even strangers in the audience can view society from the same angle. A good comedy can make you realize just how ridiculous the world is. A good horror movie can make you realize just how frightened you should probably be on a daily basis.
Universal Pictures
Also: The 100 Best Horror Movies of the 1990s!
Get Out is the story of Chris (Daniel Kaluuya), a successful photographer who is going to his girlfriend’s parent’s house for the weekend. The catch – at least, as far as Chris knows – is that no one else in her white family knows that he’s black yet. It’s a set-up that has been mined for comedy many times before, most obviously in Guess Who’s Coming to Dinner, and sure enough Jordan Peele ekes many uncomfortable chuckles out of watching Chris endure one awkward, racially-tinged comment after another from folks who at least claim to be progressive, even as they consistently reveal themselves to be at least casually racist.
The genius of Get Out is that, after an eerie introduction where a black man is assaulted in a white neighborhood, the audience knows that all of this “casual” racism is – somewhere, somehow, and in at least SOMEbody – masking genuine evil. It’s still funny but it’s an exquisite contradiction. We laugh because we know that a white man is going out of his way to tell a black person that he voted for Barack Obama, and that is the sort of thing people really do, but we also clench our armrests in horrified suspense because we understand that underneath that faux pas lies the real capacity for dehumanization and even violence.
Universal Pictures
Jordan Peele’s smart screenplay has some fanciful ideas, and eventually spins off into bizarre directions, but no matter how willing you are to accept the horrifying possibilities of hypnosis (for example), the underlying comment is clear and salient. However progressive our society currently is (and that’s up for massive debate), it’s still built on a foundation of exploitation and racism. Get Out transforms a conventional encounter into a nightmare scenario, where the façade of propriety is used to perpetuate the myth that everything is alright and that the evils of our past aren’t gradually evolving into the evils of our future. The characters are mostly too polite to say anything about it, and as you leave the theater you may find your fists clenched in righteous outrage about this and many other daily injustices.
Insightful and intense, fucking brilliant and fucking terrifying. It’s become a cliché to declare any movie “the [blank] that we need” but if anything, Jordan Peele’s Get Out is the kind of horror movie we DESPERATELY need right now. It translates our very real social concerns into dynamic horror entertainment, exposing our anxieties by ripping the flesh clean off of them, and then poking at the nerve endings just to make sure we still have the capacity to react to the serious issues we encounter every single day. That’s why we need horror. That’s why we need comedy. That’s why we need Get Out.
The Top 25 Greatest Horror Movie Sequels:
Top Photo: Universal Pictures
William Bibbiani (everyone calls him ‘Bibbs’) is Crave’s film content editor and critic. You can hear him every week on The B-Movies Podcast and Canceled Too Soon, and watch him on the weekly YouTube series What the Flick. Follow his rantings on Twitter at @WilliamBibbiani.
The Top 25 Horror Sequels
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25. Halloween II (2009)
Rob Zombie's Halloween remake didn't hold up to the original, but his ambitious sequel stirred up all the most interesting ideas from the Halloween sequels and served them on a gory, psychosexual platter. It's a divisive film but whether you love it or hate it, Halloween II's sheer audaciousness is worthy of praise.
Photo: Dimension Films
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24. Predator 2 (1990)
The alien hunter moved from the literal jungle to the urban jungle in this semi-futuristic sequel, in which a group of Los Angeles cops investigate a series of murders perpetrated by a camouflaged extra-terrestrial. Predator 2 doesn't have the same subversive streak as the original, and that's okay, because it's still fun, effective entertainment.
Photo: 20th Century Fox
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23. Scream 2 (1997)
The first Scream changed the horror genre, possibly forever, and although the second film doesn't have the same impact it's still a very effective slasher, with smart characters, suspenseful set pieces, memorable deaths and a few genuinely shocking surprises.
Photo: Dimension Films
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22. Hannibal (2001)
Thomas Harris's over the top follow-up to The Silence of the Lambs became an over the top movie, spilling over with gran guignol flourish and outsized drama. Okay, so Hannibal isn't nearly as refined as its predecessor, but it's a gloriously gothic piece of entertainment, with a handful of unforgettably grotesque moments.
Photo: MGM
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21. A Nightmare on Elm Street 2: Freddy's Revenge (1995)
Several of the Nightmare on Elm Street sequels are entertaining, but the second film may be the most tragic and horrifying, using Freddy Krueger not as an excuse for inventive death scenes but as a representation of the phobias and anxieties that swirl around a teenager's sexual identity crisis. Freddy's Revenge breaks some of the "rules" of the series, and some fans are still mad about that, but if you look past you'll find it's one of the most ambitious and unsettling films in the series.
Photo: New Line Cinema
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20. Final Destination 2 (2003)
The Final Destination movies are, more than even most slashers, all about elaborate death scenes. And never were the deaths more consistently glorious than in Final Destination 2. From the fantastic opening freeway chase to the spectacular dentistry fake-out and beyond, this sequel - once again about people who cheat death, and who become death's next victims through any means possible - features a lot of the highlights of a franchise which, let's be honest, had no shortage of them.
Photo: New Line Cinema
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19. Child's Play 2 (1990)
The killer doll Chucky was scary enough in Child's Play, but that film spent more time focusing on the adults than on the kid whose plaything turned evil. Child's Play 2 focuses on a child's experience, amplifying the horror and creating a more tragic atmosphere, because nobody believes the child's stories until it's way too late. And the Terminator sequence at a toy factory is a masterful climax, packed with action and nightmare fuel.
Photo: Universal Pictures
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18. The Purge: Anarchy (2014)
A national holiday when murder is legal is a great concept for a horror movie, but it wasn't until the first sequel, The Purge: Anarchy, that audiences finally got to witness the carnage in all of its glory. Frank Grillo plays a man who gets sidetracked from his own murderous mission, who can't help but save innocent lives in a world gone violently, imaginatively mad.
Photo: Universal Pictures
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17. Halloween H20 (1998)
The flailing Halloween series found its focus once again when original heroine Laurie Strode returned with a lifetime of personal baggage for (supposedly) one last duel with Michael Myers. Halloween H20 is a slick slasher but Jamie Lee Curtis's impressive performance puts the awkwardly-titled Halloween H20 over the top.
Photo: Dimension Films
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16. The Devil's Rejects (2005)
Rob Zombie's first film, House of 1,000 Corpses, was overblown and hard to watch. But somehow his sequel, The Devil's Rejects, made audiences forget all about that. It's a prurient and amoral crime thriller about a family of mass murderers on the run from the law, which - thanks to Zombie's overwhelming sentimentality for monsters - makes us care more about the unforgivable creeps than their victims.
Photo: Lionsgate
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15. The Texas Chainsaw Massacre 2 (1986)
Tobe Hooper through subtlety out the window for his second Texas Chainsaw Massacre, an overwhelming horror comedy about a DJ who gets embroiled in a cannibal family's plot to put human flesh in chili and a sheriff who plays to chainsaw duel to the bad guys to death. The Texas Chainsaw Massacre 2 is a loud, chaotic descent into madness, with one of the most spectacular climaxes in horror movie history.
Photo: The Cannon Group
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14. The Purge: Election Year (2016)
If The Purge: Anarchy was the action movie fans of the original were waiting for, then The Purge: Election Year is the apotheosis of the franchise, combining horror, action and damning political commentary. A liberal politician, who plans to fix the country and outlaw "The Purge," becomes a target for assassins and hides out with oppressed communities who have plans to use The Purge to their bloody advantage as well. This is intelligent and challenging horror filmmaking, wrapped inside a brash and gory package.
Photo: Universal Pictures
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13. Bride of Chucky (1998)
Child's Play 2 may be the scariest film in the franchise, but Bride of Chucky is easily the most enjoyable. Chucky and his bride Tiffany (played spectacularly by Jennifer Tilly) are on a murderous road trip with two hapless teens in a sequel that finally acknowledges the absurdity of the whole "killer doll" premise and has fun with it, with great gags, unexpected twists and surprisingly fun characters.
Photo: Universal Pictures
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12. Hellbound: Hellraiser 2 (1988)
The violent delights of the original Hellraiser give way to demonic decadence in Hellbound: Hellraiser 2, a film that expands on the series' already complex mythology and ups the ante in terms of visual effects, makeup and depravity. This film features what may be the greatest depiction of literal Hell in movie history.
Photo: New World Pictures
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11. Gremlins 2: The New Batch (1990)
If the original Gremlins was horrifying subversion of Main Street America, then Gremlins 2 is a spot-on satire of corporate America, with the fiendish little imps undermining television stations, movie theaters and a billion dollar company. Joe Dante's already impressive imagination runs wild, with bizarre sight gags, fourth-wall breaks and mutated gremlins that get bigger brains, spider legs, vegetable faces and wings.
Photo: Warner Bros.
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10. Friday the 13th Part 2 (1981)
The original Friday the 13th becomes, in the first (and best) sequel, a campfire story for future generations. Little do the new camp counselors know that there's a nugget of truth in the old legend of Jason Voorhees, and that he plans to kill them one by one. Only the heroine, who takes the horror genre seriously and finds a small amount of empathy for the madman, has a chance of surviving in this impressive, thoughtful, influential slasher classic, one that is superior to the original in almost every way.
Photo: Paramount Pictures
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9. Army of Darkness (1993)
The third film in the Evil Dead movie abandons any aspirations to genuine horror and focuses instead on daffy supernatural action-comedy, a medley that works impressively well when headlined by the dashing Bruce Campbell and directed by the wacky Sam Raimi. Our hero has been rocketed into the past and rescues King Arthur's court from an army of undead monsters, including his own evil doppelgänger, and spouts one hilarious and quotable line of dialogue after another.
Photo: Universal Pictures
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8. Inferno (1980)
Dario Argento's Suspiria is considered one of the scariest movies ever made, and his first follow-up - Inferno, about another all-powerful witch filling the world with vibrant, violent evil - might be even scarier. It's a stream-of-consciousness nightmare, flitting from one protagonist to another as they fall prey to supernatural influence, composed with terrifying and brilliant imagery and music. Inferno is difficult to describe, but impossible to ignore.
Photo: 20th Century Fox
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7. The Exorcist III (1990)
The second film in the Exorcist series is one of the worst ever made, which led many to overlook The Exorcist III altogether. They missed out on a film that's arguably more frightening than The Exorcist was, an alternately elegant and phantasmagoric mystery about an aging detective (George C. Scott) investigating murders that make no sense, and which will haunt your nastier nightmares. Some of the shots in The Exorcist III are among the scariest ever filmed. The rest of the movie nearly follows suit.
Photo: 20th Century Fox
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6. Dawn of the Dead (1978)
George Romero took the zombie apocalypse of his original, classic Night of the Living Dead and expanded it into a colorful, action-packed, gory satire of consumer culture. Dawn of the Dead shoves its heroes into a mall and dares them to want to leave, while an army of mindless ghouls tries constantly to break in. One of the most influential films in the horror genre, and with good cause.
Photo: United Film Distribution Company
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5. Day of the Dead (1985)
As beloved as Dawn of the Dead may be, time is proving even kinder to Romero's third zombie classic. Day of the Dead is an extended panic attack of a film, in which what may be the last few human beings on Earth fall victim to paranoia and utter madness as they fight to preserve or rid themselves of the last few vestiges of normalcy. Meanwhile, the zombies might be getting smarter. Terrifying and amazingly violent filmmaking, from start to finish.
Photo: United Film Distribution Company
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4. Wes Craven's New Nightmare (1994)
Wes Craven finally returned to the franchise he created, but he didn't just make another Nightmare on Elm Street sequel. He made a film in which his boogeyman, Freddy Krueger, tries to break into the real world because a series of ineffectual sequels made him a useless metaphor for our fears. And if our stories can't hold our fears, they're bound to become more dangerous in real life. Wes Craven's New Nightmare isn't a self-aware comedy, it's a disturbingly insightful examination of the whole horror genre, and an inverse, subversive retelling of the events of the original Nightmare on Elm Street from a wholly different point of view. And yes, it's scary as hell.
Photo: New Line Cinema
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3. Evil Dead II (1987)
Sam Raimi's low-low-low budget Evil Dead became a merely low-budget sequel, and the filmmaker's wild imagination makes the most of that added budget by turning the saga of a man trapped in a cabin in the woods with malevolent supernatural forces into one of the most wild and inventive horror movies ever produced. The bravura filmmaking techniques, cartoonish gore and bizarre storytelling in Evil Dead II became a flashpoint for the genre, inspiring and setting a high bar for nearly every filmmaker that followed.
Photo: Renaissance Pictures
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2. Aliens (1986)
Ridley Scott's influential "haunted house in space" sci-fi classic evolved into a full-fledged Vietnam War allegory in James Cameron's explosive sequel. What was once the story of a normal woman outmatched is now an action-packed saga of gun-toting macho marines dissolving into quivering masses in the face of a superior enemy, with spectacular monster effects and impressive writing, directing, and acting on every front. Aliens isn't just one of the best horror sequels, it's one of the best action movies and one of the best sci-fi movies too.
Photo: 20th Century Fox
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1. The Bride of Frankenstein (1935)
Everything people want from sequels can be found in The Bride of Frankenstein, a bold and funny and creepy follow-up to James Whale's original blockbuster horror classic. Innovative visual effects, fascinating characters, bizarre new themes and visual storytelling that was easily decades ahead of its time keep The Bride of Frankenstein feeling as fresh and exciting as ever. It's still one of the very best movies ever made, and it's certainly the best horror sequel.
Photo: Universal Pictures
